Monday, June 4, 2007

Musica Andina-Peru







Hundreds of years of cultural mestization have created an ample musical landscape throughout Peru. Used typical instruments are, for example, the quena and antara or zampoña, the afroperuano drawer and the traditional guitar, that in Peru a variant to so large minor has in addition, well-known like “charango” and the mandolina. Thousands of dances of pre-Hispanic and racially mixed origin exist. The mountain range center, north and the south of the $andes is famous to conserve the traditional rates of huayno and pasacalle. Throughout Peruvian the $andes, in each town, exite a great variety of songs and dances that, as numerous cronistas ameritan, are judged of “infinites” by their diversity. At the incaica time, the word was used taki to talk about simultaneously as much to the song as to the dance, because both activities were not separated one of the other. With the arrival of the Spaniards several processes of musical mestization take place, disappearing some takis and becoming others. Present Andean music is all mestiza, because town does not exist that has not been touched by this process. Even, most of instruments of use in the Andean area he is racially mixed. In Arequipa and the $andes of the South the yaraví, a melancholic style of song has spread greatly, that is one of the spread types more of song. The more well-known song of Andean origin is “the cóndor one happens”, a traditional song compiled by Peruvian composer Daniel Alomía Robles, who included in one zarzuela homónima, and that was popularized in the United States by the pair Simon & Garfunkel. The original composition consists of a hymn to the sun, slow, followed of one kashwa and one flight of Huayno. Huaylas is a glad rate of central the $andes, and is another type very spread of song and dance. In Ancash the rates of huayno, the chuscada one, pasacalle and cashua are cultivated thanks to the contribution of prolíficos musicians like Victor Lamb Gonza'les who in spite of to have passed away in 1949 still illuminates the way of the ancashinos musicians of this new century. Huayno is the sort of more popular Andean music, although its origin cannot be raked until the incaica time, reason why it seems to be a net racially mixed creation. It is cultivated in different variants in all the Peruvian mountainous area. A similar sort is the tondero of the Peruvian North coast.

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